The Rothschild, a residential development in Sydney's Rosebery suburb, stands out for its unique blend of neoclassical facades and public art. The project, designed by Candalepas Associates, features a central courtyard with an olive grove, 'atomic' apartment modules, and a dual-aspect design with limited-length corridors. The building's aesthetics are inspired by the heritage-listed Mentmore House, a former soap factory, and the industrial architecture of SoHo, New York. The development's calm and serene atmosphere is a result of its proportions, forms, and muted palette, which evoke a sense of pre-industrial tranquility. The large public art columns, designed by artist Natalie O'Loughlin, add a playful and dynamic element to the building. The true beauty of The Rothschild lies in its atmosphere, which is reminiscent of the area's historical character before industrial development. Candalepas Associates' director, Angelo Candalepas, expresses his love for the project, crediting his capacity to change his thinking and the collaboration with his wife, Mary Georgiou. The development challenges the prevalent notion that ornament is a crime, as Candalepas embraces the constraints and costs of materials and the expediency of the project. The article concludes with a reflection on the enduring nature of Candalepas' position and the importance of time in evaluating the merit of architectural projects.
